Your Google Account gives you quick access to settings and tools for managing your Google experience on products like Search and Maps. You can manage some privacy settings now, and access even more privacy and security controls if you sign in or create a Google Account. Tribute G&L's were made in Korea by Cort Guitars using mostly foreign-made hardware, though some original parts were also used on select models. The pickups used are all originally made by G&L in Fullerton, California. The G&L Enthusiasts Website click on guitar registry. You may not find your exact instrument but you can find the range in which yours was made. You may not find your exact instrument but you can find the range in which yours was made.
G&L Climax (serial number B025855) in Emerald Blue finish. Carve on the back of the Climax.Photos: Bill Ingalls Jr. Instruments courtesy of Naffaz Skota (Climax) and Ryan Cass (LB-100).
Mont blanc serial number lookup. G&L LB-100 (serial number B031205) in Bel Air Green.
In its first decade, G&L – the solidbody instrument maker created by Leo Fender after his departure from the legendary company he first founded – thrived on innovations like the Magnetic Field Design (MFD) pickup. Its first bass, the L-1000 (“Bass Space” December ’03 and July ’06) was a passive single-pickup instrument Leo considered an improvement over his own legendary Fender Precision.
In Leo’s time with G&L, the company produced numerous other basses, including models with active electronics, futuristic body styles, etc. Following his death in 1991, G&L was sold to the audio technology company BBE Sound. As it turned out, the first new G&L models introduced by BBE ownership were based on a combination of marketing and a nod to the aesthetics of classic models associated with Leo.
Introduced in ’93, the Climax and LB-100 (initially called the Legacy until it was discovered the name infringed on a patent) were quite different from each other, just as their respective forebears were. The Climax, with its solitary pickup located near the bridge, bore a distinct resemblance to the Sting Ray bass Leo designed during a brief association with Music Man, while the LB-100 was a near-clone of the Fender Precision. Both had a 34″ scale on a maple neck with a 71/2″ neck radius on a maple or rosewood fretboard. One interesting similarity involves the headstock silhouette; while it had the standard G&L “barb” opposite the posts for the D and G strings, the “hook” near the company logo was new (and more Fender-like); the same portion of the headstock on earlier G&L bass models was rounded.
While the basses have different fretboard woods, both have pearl dot inlay (black pearl on the LB-100’s maple board), 21 frets, and their bodies join the neck at the 16th fret on the bass side, 20th fret on the treble side. Both have the massive G&L bridge with locking saddles.
From the top down, differences begin with the width of the neck at the nut. Caesar 3 mac download. On the Climax, it’s 11/2″ (like the Music Man Sting Ray) and on the LB-100, it’s 13/4″ (like the Fender Precision).
While the bodies (usually poplar, alder, or ash) are the same width (123/4″), the more-modern Climax has sleeker cutaway horns and sharper edges, while the LB-100 body maintains a traditional profile and edge shapes. One unique feature of the Climax is a 1/4″-deep recess around the neckplate.
The pickup on the Climax is an eight-pole MFD, and its 9-volt circuitry is controlled by two mini-toggle switches (Active/Passive and Preamp On/Off). Control knobs were found for Volume, Treble, and Bass. The passive LB-100 has what company literature calls an offset “split-coil vintage” pickup and standard Volume and Tone controls. The Climax was available in G&L’s standard or Premier finishes, while the LB-100 was offered only in standard finishes.
Ultimately, both models were relatively short-lived. The Climax was discontinued circa 1996, but was succeeded by the L-1500, which has a fretboard measuring 13/4″ at the nut, and six-bolt neck attachment. The LB-100 hung around until 2000.
There’s little debate over whether the Climax and LB-100 emulated Leo’s goundbreaking Fender models. And while they weren’t long-lived, they offer an appropriate historical tip of the hat to the memory of a guitar-manufacturing legend.
Special thanks to Paul Bechtoldt, author of G&L: Leo’s Legacy
This article originally appeared in VG‘s September 2009 issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is strictly prohibited.
G&l Guitars Serial Numbers
Private | |
Industry | Musical instruments |
---|---|
Founded | 1979 |
Founder | Leo Fender and George Fullerton |
Headquarters | Fullerton, California, United States of America |
Key people | John C. McLaren (Chairman) Phyllis Fender (Honorary Chairperson) John C. McLaren Jr. (Plant Manager ) |
Products | Electric guitars Bass guitars Effects units |
Revenue | $2,990,421 (estimated)[1] |
29 (estimated)[1] | |
Parent | BBE Sound, Inc. |
Website | www.glguitars.com |
G&L is a guitar design and production company founded by Leo Fender, George Fullerton, and Dale Hyatt in the late 1970s.[2]
![G&l Guitars Serial Numbers G&l Guitars Serial Numbers](https://images.reverb.com/image/upload/s--dypdamcw--/a_exif,c_limit,e_unsharp_mask:80,f_auto,fl_progressive,g_south,h_620,q_90,w_620/v1512927093/bj0svm4cve0plccvxjav.jpg)
- 3G&L guitars
G&l Guitar Models
Founding[edit]
Leo Fender sold his eponymous company Fender in 1965. He designed and produced instruments for Music Man in the 1970s through his company CLF Research. When relations with Music Man soured, G&L was created to continue operations apart from Music Man. The G&L name comes from two founders' first names, George Fullerton and Leo Fender.[3]
G&L instruments are similar to the classic Fenders, but with some modern innovations. They are built at the same facility on Fender Avenue in Fullerton, California that produced the early Music Man instruments. G&L instruments are not widely distributed but are highly regarded by many musicians and collectors. The relatively small scale of production further allows for more custom options that are not possible on larger production lines.
After the death of Leo Fender in 1991, Fender's wife, Phyllis Fender, passed the management of G&L to John C. McLaren of BBE Sound.[4] George Fullerton remained a permanent consultant until his death on July 4, 2009,[5] and Leo's wife Phyllis remains as Honorary Chairperson of G&L.
In a print advertisement for G&L, Leo Fender claimed the G&L line of instruments were 'the best instruments I have ever made.'[6]
Innovations[edit]
Dual-Fulcrum Vibrato
1993 G&L Legacy 1993
Leo Fender and George Fullerton created improved designs over the years, with the most advanced being featured in G&L instruments.:
- The Magnetic Field Design[7] (MFD) pickups use a ceramic bar magnet in combination with soft iron pole pieces with adjustable height, instead of the traditional Alnico magnet, and allow a player to set the pickup output per string, as opposed to the entire pickup as a whole in traditional single-coil pickup designs. MFDs are known for their distinctive tone, which combines clarity, high fidelity and power with an airy 'sweetness'.
- The Dual-Fulcrum Vibrato[8] has two pivot points. The design aims to improve tuning stability, and according to some has a sound that is more mellow than a traditional bridge. It allows the player to bend notes up as well as down. See also Tremolo arm.
- The G&L Saddle-Lock bridge[8] utilizes a small Allen screw on the side of the bridge, to reduce side-to-side movement of the individual string saddles. The design, and the bridge's beefy dimensions, aim to prevent loss of sustain due to this sideways motion by locking the saddles together.
- The Tilt Neck Mechanism[9] designed and patented by George Fullerton. This feature is no longer used, and was a carryover from Music Man production.
- The Bi-cut neck design[10] involved cutting the neck lengthwise perpendicular to where the fretboard is later installed, routing a channel for the truss rod, then gluing the two neck pieces back together. As G&L moved production to CNC machines, this method was phased out.
G&L guitars[edit]
Serial Numbers Microsoft
Tribute[edit]
In 2003, G&L introduced the Tribute series to the US market as a more affordable alternative to the USA built products. Tribute G&L's were made in Korea by Cort Guitars using mostly foreign-made hardware, though some original parts were also used on select models. The pickups used are all originally made by G&L in Fullerton, California. Production of the guitars has since moved to a Cort facility in Indonesia.
Before 2003, Tribute guitars were briefly produced in Japan for non-US markets, shifting to South Korea.
The Tribute series is offered in many of the same body shapes as their original creations although many (including all Limited Edition models) use hardware and pickups designed by G&L but sourced in Asia. The Tribute SB-2 was offered briefly but was discontinued, however, it was reintroduced late 2006/early 2007. The JB-2 was introduced to the Tribute series at the same time.
Notable users[edit]
- Tom Hamilton (Aerosmith)[11]
- Ben Gibbard[11]
- Jerry Cantrell[12][13]
- Elliot Easton[14]
- Marissa Paternoster[15]
- Jake Cinninger[16]
See also[edit]
Notes[edit]
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- ^ abhttps://www.manta.com/c/mml9z6z/g-l-music-sales-inc
- ^Fullerton 1993, p. 97-98.
- ^Fullerton 2005, p. 53.
- ^Fullerton 2005, p. 65.
- ^Lewis, Randy (July 8, 2009). 'George Fullerton dies at 86; musician helped Leo Fender create his unique guitars'. Los Angeles Times.
- ^Fullerton 2005, p. 190.
- ^Fullerton 2005, p. 151.
- ^ abFullerton 2005, p. 152.
- ^'Archived copy'. Archived from the original on 2010-03-09. Retrieved 2010-03-08.Cite uses deprecated parameter
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(help)CS1 maint: archived copy as title (link) - ^Fullerton 2005, p. 153.
- ^ ab'G&L Korina Collection'. G&L Guitars.
- ^'Dear Guitar Hero: Jerry Cantrell'. Guitar World. June 13, 2011. Retrieved May 4, 2018.
- ^'Jerry Cantrell 'Blue Dress' Rampage'. G&L Musical Instruments. Archived from the original on July 5, 2011. Retrieved May 4, 2018.Cite uses deprecated parameter
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(help) - ^'Artists'. G&L Musical Instruments. Retrieved May 4, 2018.
- ^Gluckin, Tzvi (September 13, 2016). 'Robot Killers: Screaming Females' Marissa Paternoster and 'King' Mike Abbate'. Premier Guitar. Retrieved July 24, 2019.
- ^Bean, Perry (February 18, 2015). 'Rig Rundown: Umphrey's McGee [2015]'. Premier Guitar. Retrieved July 24, 2019.
References[edit]
- Fullerton, George (1993). Guitar Legends, The evolution of the Guitar from Fender to G&L. Fullerton: CENTERSTREAM Publishing. ISBN0-931759-69-2.
- Fullerton, George (2005). George & Leo, How Leo Fender and I Built G&L Guitars. Milwaukee: Hal Leonard. ISBN0-634-06922-5.
G L Guitar Serial Numbers Clf
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=G%26L_Musical_Instruments&oldid=907693640'